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Publishing

How to get published, trends in publishing, and the business of writing

The big news!

Sorry to interrupt your Nanoing. Hope it’s going well! Just a little news to share here:

My first novel, Saints and Spies, will be published by Covenant Communications in 2013!!!

The book is about an LDS (Mormon) FBI agent who has to go undercover as a Catholic priest to root out the mob in the parish. Falling for the parish secretary? That’s just the beginning of his problems.

I got the email Friday morning while working away at a writers’ retreat (where I pounded out 27,000 words on a new novel that I’m very excited about, too!). It was fantastic to share that with other writers face to face, especially when those writers are some really good friends.

The burning questions
To clarify, no one has actually asked these things; I’m being snarky to myself.

What’s your advance?
Let me introduce you to the concept of economies of scale if you’re not already familiar with it. I’m being published by a regional publisher, which means smaller print runs, which means higher cost per unit. This, in turn, means that there’s a bigger risk assumed by the publisher in printing the books, and a system which just doesn’t lend itself well to the advance-against-royalties model.

Or, the short answer: in this market, they’re almost exclusively on a royalties-only basis.

Why did you settle for a regional publisher?
First of all, that’s a super-rude way to phrase the question. I actually didn’t settle; this was one of my dream publishers. The book itself has a lot of LDS (Mormon) content because the main character is LDS. I knew I wanted to find this book a home with a regional LDS publisher—and I’m thrilled it did!

Edited to add: as my friend and publisher-buddy Annette Lyon pointed out in the comments, this company is also the top publisher of fiction in the market. It’s a pretty big deal (even if you haven’t heard of them).

Does this mean you’re Mormon?
Yep. Have been all along. You’re just now noticing? Hm.

So, what now?
My book was accepted based on the manuscript and a plan for proposed revisions to be extra extra careful about the interfaith issues. I’ll make those revisions and anything else I need to, and turn it in again. In the mean time, over at my publisher (I just love typing that!), they’ll assign me to an editor. That editor will look over my revised manuscript and make content suggestions on characters, plot lines, scenes, etc. I’ll take those to make the book better. Once we’re satisfied, the book goes to a copy editor who proofreads it. Once we get it thoroughly clean, it’s ready for all the technical stuff: typesetting, . . . um . . . well, I know there’s printing involved.

Somewhere in there I’ll receive, review and sign a contract. And a cover design. And also do some marketing planning and the like.

And when did you say?
They’re still figuring out exactly when, but it should be sometime in 2013.

But that’s so far away!
Yes, but this is the speed publishing moves. Also, in less than two months, I’ll be able to say, “My book will be out next year.”

So, are you excited?
Yes! Absolutely! And I got this news surrounded by some of my closest writer friends, many of whom have directly and indirectly helped me grow as a writer, who were then able to celebrate my success along with me. And also comment on how badly I was shaking. And ask me to do a cartwheel. (I did.)

Can I read it?
Oh yes! But I probably won’t be giving out a whole lot of free copies. Sorry, but I’m sure I’ll only receive a limited number anyway.

No, I meant, can I read it now?
I do have an excerpt of the first chapter of Saints and Spies in its current form available here on my website.

Well, awesome! But . . . I’m kind of running out of questions . . . Uh, how his Nano going?
Fantastic! With the retreat, I’m up to nearly 40,000 words in my novel, and it’s so much fun! It’s not going exactly how I planned–I really thought a certain event would be the first plot point, but then when I got there, a new first plot point came in, and now I’m just about at the midpoint and I’m still working up to that certain event.

Ah well, writing is revision, isn’t it?

If you say so. Where will I be able to buy your book?
LDS bookstores including Seagull Book and Deseret Book will carry it, as well as independent LDS bookstores. It might also be in Utah Barnes & Nobles and other bookstores. And of course, there’s always Amazon and Kindle.

Will non-Mormons be able to “get” your book?
Oh yes. The Internet is a wonderful thing.

The “get” is in quotes.
Gotcha. There are some jokes and references that are geared toward members of the LDS faith, but I’m thinking about how I can make sure my friends of other faiths can understand the references.

Will your blog change? Your Facebook? Your Twitter?
The answer, of course, is yes. Everything changes. I don’t know quite what I want to do to appeal to both writers and my potential readers, but we’ll see.

Are you tired?
YES. I just dozed off while typing my last response.

Why don’t you go to bed?
Just one more blog post.

Then stop writing this one!

Photo by Angela

Posted in News & Contests, Publishing | Tagged , , , | 31 Comments

Should fiction be moral?

In case you missed it (and you probably didn’t), recently there was a bit of a debate in the blogosphere over a certain article which decried the darkness prevalent in YA fiction. I can’t remember if I actually read the article, but I did read the responses of many who took issue with the premise, claiming that YA fiction reflects the dark reality teenagers today know.

I’m not going to argue with that point—but I am going to say that I don’t think that a bleak, hopeless vision of reality is a good way to help someone cope with a future that feels tenuous and perilous at best. Even if a book ends in tragedy, it can still reaffirm readers’ hope.

A YA dystopian I read recently is set in a world without love. It’s illegal to even use the word. Already that sounds pretty bad, eh? Naturally, the MC falls in love, and *SPOILER ALERT* the novel ends tragically. And yet we’re left with hope for the MC to have a better life because of the sacrifice made for her.

I think I tend to side with author John Gardner, at least as his On Moral Fiction is summarized by Wikipedia (emphasis mine):

[F]iction should be moral. Gardner meant "moral" not in the sense of narrow religious or cultural "morality," but rather that fiction should aspire to discover those human values that are universally sustaining. [I assume this means things like hope, character, etc.] Gardner felt that few contemporary authors were "moral" in this sense, but instead indulged in "winking, mugging despair" (to quote his assessment of Thomas Pynchon) or trendy nihilism in which Gardner felt they did not honestly believe.

What do you think? Should fiction be “moral”—by this definition or another?

Photo by Tahmid Munaz

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Interview on funding self-publishing with Derrick Hibbard

UPDATE: Derrick reached his Kickstarter goal and his book will be out soon!

I met Derrick Hibbard ten years ago at a week-long church camp. Naturally, we’re now Facebook friends. I don’t think he knows I have this photo from when we met:

:D

Derrick is a published author, but he’s going the self-publishing route for his latest novel, The Double Stroller Hand Grenade:

Peter, a bright-eyed and fluffy-tailed new attorney, witnesses the “hit” of the managing partner in his law firm. Because of this inadvertent run-in and supposed link with the mafia, Peter can’t find another job anywhere and is forced to tend his kids full-time while his wife, Alison, brings home the bacon. Peter hates the new job: His young kids are a whirlwind of destruction wherever they go, his daughter suffers from a crippling fear of an imaginary alligator, and he and Alison seem to be growing further and further apart as she works long hours. As it turns out, Alison is not an interior designer, as Peter was led to believe, but is the assassin who killed Peter’s boss—a fact that Peter is none-too-happy about—and things really get crazy when Alison’s peers decide that she is better off dead. What follows is a hilarious romp, as the emasculated Peter has to deal with a super-cool-femme-fatale of a wife, while he and his two kids are mercilessly thrust into a world of gangsters and professional hit men.

The Double Stroller Hand Grenade is mainstream fiction with an edge. It combines lighthearted romantic comedy with thrilling action and suspense.

Perhaps most unique about Derrick’s path to self-publishing is the way that he’s planning to pay for the costs: through fundraising on a social website, Kickstarter. Individuals can give as little as a dollar to help Derrick toward his goal (with various rewards at different pledge level, including copies of the book, dedications, etc.). Derrick’s hoping for $1500, and is nearly halfway to his goal in pledges—but if the other half isn’t pledged by midnight on July 31, Derrick doesn’t get the pledges.

This was actually the first time I’d heard about this type of funding for self-publishing, so I asked Derrick for an interview. Here’s Derrick in his own words, first in the video from his Kickstarter campaign, then the interview.


First of all, I’d like to thank Jordan for giving me the opportunity to do this interview on her blog.

Why did you decide to self-publish?

Well, that answer comes in different parts because it has been a very long process for me to get to this point. I think the main reason is because of the changing industry. Right now, the investment that inevitably comes with publishing novels by new authors is a risk that most publishers won’t take. Obviously, there are some first time novelists who are able to land the agent and get a publishing deal, but they’re few and far between. The industry is in a turbulent “change-mode” right now, with the advent of ebooks and the ease of printing books on demand. I’ve been working with traditional publishers for close to 4 years now, and in my opinion, self publishing high-quality books is a good way to gain experience in the industry and build a platform to use down the road. I figured that I might as well start building that platform and honing my craft instead of letting a pile of manuscripts gather dust on the shelves.

The second reason comes from my experiences with a traditional publisher. I’ve published two nonfiction books, Law School Fast Track, and College Fast Track, and we’re talking about a couple more to add to the “Fast Track” series. First of all, I’ve loved working with a publishing company and I feel that I’ve learned a lot about the publishing process. The only problem that I’ve had is that it takes so long for each title to be released, which is understandable given the amount of time and energy, from so many different people, that goes into each book. Once the book is finished with all of its rewrites, revisions and polishing, I’m ready to start working on the next one, but the book still has a long way to go in the publishing process and the publisher is hesitant to start new projects. The problem is, again, the risk involved with investing in each title. A publishing company wants to wait and see how each title does before jumping in with a new book. I feel that self-publishing (with fiction anyway) will give me the chance to focus on writing. I’ll be able to write a book, do everything it takes to get it ready to publish, release it to the world, and move onto another project.

The last reason, and maybe the most important to me, is that I write because I’m compelled to write. I love everything about writing, creating, and storytelling. I’ve loved it since I was kid and I’m pretty sure that I’ll continue to love writing until I kick the bucket and keel over. The point is, I write because I like sharing stories.

How did you find out about Kickstarter?

From a friend who was trying to get his project kickstarted.

If your book gets funded, roughly what do you anticipate the cost breakdown looking like?

I’m asking for $1,500 for the Kickstarter campaign and the breakdown for the costs are as follows:

  • $35—Font licensing
  • $125—ISBN
  • $200-$400—Cover design
  • $200—Copy Editing
  • $200—Proofreading
  • $400—Interior layout and design
  • $75—Title setup fees with Ingram (a distributor who will make the book available in bookstores, magazine shops, airports, etc., in the US, UK, and Australia)
  • $400—for marketing

What are you least looking forward to with self-publishing this book?

I’m not a huge fan of the technical side to publishing a book. I really prefer the creative process, so I guess I’m least looking forward to making sure all the little details are taken care of in order to publish a high-quality book. Of course, this is all part of the process.

What are you most looking forward to with self-publishing this book?

I’ve been researching internet marketing and developing new strategies for reaching new audiences—so I’m probably most looking forward to finding new readers and ultimately sharing stories with more people.

In parting, here is a cool quote—something that I think is relevant to all aspiring authors, and its something that I try and keep in mind with each new project.

Certain writers do not live, think or write on the range of the moment. Novels, in the proper sense of the word, are not written to vanish in a month or a year. That most of them do, today, that they are written and published as if they were magazines, to fade as rapidly, is one of the sorriest aspects of today’s literature.
–Ayn Rand

Although the quote is a bit pessimistic about today’s literature, I like to use it as a positive motivation: write books to last. Write books that engage the mind long after the story is over.


Thanks for the interview, Derrick! I find this all really interesting, even if I’m not quite ready to look into self-publishing myself. I was glad to get to learn more about this option!

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What do you do when you fail?

What does it take to fail in writing? Not finishing a manuscript? Not having the heart and will to revise and polish it? Exhausting all possible agents and publishers? Giving up on a book, or on publishing altogether?

No matter how you define it and no matter your line of work, we all face failure some time. Jane Friedman listed dealing with failure as one of her five things that are more important than talent in writing (emphasis mine)

Everyone fails. That’s not the important part. What’s important is what you do next. Are you learning? Are you growing? Is your experience making your heart bigger? Or is it shrinking you down, making you small? Beware of cynicism and bitterness, because if these emotions stick around too long, they will poison your efforts.

I tend to think you only fail when you give up. It’s not success, but it’s definitely not failure to recognize that your current efforts aren’t making a marketable book better (or you happy or even sane). It’s practice, it’s experience, it’s another notch in your belt.

What do you think? What’s failure? How do you bounce back?

Photo by Hans Gerwitz

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N is for Novice—Are you?

A while back, someone on my writers’ group posted Randy Ingermanson’s “levels” of writers. (Yes, Randy Ingermanson of Snowflake Method fame.)

Freshmen are novice writers. They often have very fine content, but their craft is unpolished and they usually don’t have any contacts at all. . . .

Sophomores have a bit of writing under their belts. They’ve improved their craft and probably also their content and they’re starting to get restless. . . .

Juniors have gone even further. They’ve become strong writers. They’ve submitted some actual proposals at conferences. They’ve had an editor say those magic words — “Send me that proposal.” They’ve gotten that unmagic letter — “We’ve studied your proposal carefully and it does not meet our needs at the present time.” . . .

Seniors are those few who are ripe to graduate. A Senior is writing excellent stuff. Explosive. Powerful. Moving. But still unpublished. Seniors are worried sick that those mean editors are never going to notice them, that they’ll be submitting proposals forever. Seniors don’t realize that the editors are watching them, hoping to see the perfect proposal that can make it past the committee. Seniors are closer than they think. . . .

(I guess if you’re published, you’re a grad student.)

But no matter what your exact current level, Ingermanson says the key is to be patient. I think I’m pretty solidly a junior—and Ingermanson says he spend eight years at that level. Well, yeah. That’ll help teach you patience. (But I also have kids for that…)

So what do I lack yet? In Ingermanson’s paradigm, it’s the perfect idea. (Sounds a little like a breakout novel. Only a debut. Yeah.) And perfecting my craft.

And friends.

Facebook aside, who doesn’t want more friends? Why don’t you introduce yourself? What do you write, and what level are you at? (I’m Jordan, I write mystery/suspense/thrillers with or without romance, and I’m a Junior. Your turn!

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K is for Keep on keepin’ on

Yesterday, we talked about jumping in to write. You don’t have to wait for permission or a signed certificate or an engraved invitation: just do it.

Sometimes starting is the hardest part. Lots of people find staring at that blank page intimidating. (Not me: it’s the words that scare me ;) ). But sometimes it’s not starting: it’s going on.

Good writers make writing look easy, but it’s not. Things worth doing, and worth doing well, seldom are. Writing takes perseverance. Publishing takes even more. It’s easy to get discouraged and feel like you’ll never get this word/scene/book right, or you’ll never get published.

But I like to tell myself the biggest difference between a published author and an unpublished one is persistence. Every athlete and every artist has stories of adversity, whether it’s from opposition from those around them (check) or struggling to better themselves (check). Every time we move past one of those, we get stronger and better—and closer to our goals—as long as we don’t let it defeat us. We gotta keep on keepin’ on.

What do you think? How has opposition helped you get better?

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J is for Jumping in

Here’s a complete shocker: J is one of my favorite letters ;) . But I had a really hard time thinking of something for the letter J. I was going to do an acrostic—but I still couldn’t think of anything for J, and then I’d have to think up even more letters? Blech.

So instead, I’m jumping in. This works on two levels in writing. The first is that we need to jump into our stories. In medias res is the common phrase: in the middle of things. Don’t spend five or fifteen or fifty pages warming up, giving us your characters’ life stories, waiting for something to happen. Readers don’t like to be kept waiting!

But we have to balance between opening too early and too late. We don’t have to have the central conflict on page one, line one. We need to have some sort of conflict in the first section of the book, but sometimes the biggest conflict of the book takes some time to set up. I’ve been more guilty of starting too late: at a point where the conflict is obvious, but the reader doesn’t know the character well enough to sympathize, or at a point where the conflict itself takes a lot of explanation instead of playing out in front of us.

The other way we need to jump into our writing is to do it now. So many people wish they “had time” to write. But having time to write doesn’t mean you have hours of down time (I certainly don’t, with three kids five and under). It means making time by making choices—and making sacrifices. Time you spend writing is time you can’t spend watching TV, playing piano, painting, knitting, practicing the piano, with your children, sleeping, etc.

On the other hand, sometimes it’s not that we’re not ready and willing to make the sacrifice—we’re scared. Guess what: you don’t need a degree or a certificate to write. Heck, I know people who write without a basic grasp of grammar and punctuation. There are no requirements to be a writer: just pen and paper. (Or a laptop. Oh wait, are those requirements? Crap.)

What do you think? Do you jump in?

Photo credits: plunge—Konrad Mostert

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Top 5 books of 2010

This year, I set a goal to read at least 25 books (didn’t figure it’d be hard). I beat that and read 40 (woot!). My five favorite books published in 2010:


Cold as Ice
by Stephanie Black


Faithful Place
by Tana French


Heist Society
by Ally Carter (Just fun!)


Russian Winter
by Daphne Kalotay


The Year She Fell
by Alicia Rasley

I still had a number of 2010 books to read when I made this list (including Matched by Ally Condie [since read and enjoyed], Paranormalcy by Kiersten White and The Silence of God by Gale Sears), and I’m looking forward to attacking that ever-growing TBR with a vengeance this year!

What were your favorite books published in 2010? What books from last year do you still have to make time for?

Posted in Book reviews, Publishing | Tagged | 7 Comments
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