Tag Archives: emotional turning points

Choosing the right POV character

Each book, each character and even each scene requires you to make choices about what POV to use. If you have more than one POV character in a scene—as you will in many of your most pivotal scenes—you have to decide which character should control the scene, or whose eyes your reader gets the scene through. The way you use the POV in a scene and in a whole book affects the way your characters and your story are perceived. It’s important to get it right!

Today we’ll look at one aspect of POV: choosing the right POV character.

Choosing POV Characters

Sometimes it’s very easy to pick who to use as the viewpoint character—they’re our only viewpoint character in the scene. But quite often, we’ll have more than one viewpoint character in a scene and we’ll have to choose between them. Whose scene is this?
Continue reading Choosing the right POV character

Hit me with your best shot: emotional turning points

This entry is part 9 of 14 in the series Emotion: it's tough

We’ve briefly mentioned that you have to suit the portrayal of the emotion to fit the pacing of the scene. Sometimes that means we can only afford a quick gesture, thought or even a tell. Other times, that means fully delving the depths of the emotion. So which scenes deserve the biggest emotion, the fullest development?

The short answer: the emotional turning points. This week at edittorrent, author/editor Alicia Rasley shared a useful definition of turning points:

Turning points are the major plot events that cause some big change and modify the trajectory of the characters in the plot. But the “turning” comes from the CHANGE. It’s not just a big dramatic event, it’s an event that “turns” from what’s come before. Yet, if you want a logical, coherent plot, you want that big turning event also growing out of what came before.

Our characters often get to do 180s in circumstances, attitudes and emotions. When these changes come quickly (in a single or short series of scenes), as Alicia says, we have to make sure that the turning event and reactions are organic. And when things change that quickly, we may have to do a lot more emotional exploring so our readers can follow the process instead of just getting jolted from one extreme to another.

For our readers to appreciate the full extent of the change, we also have to set up or establish the beginning point very well. As Alicia says:

Think of the turning point as the culmination of something. Then set up for that in earlier scenes. Then the turning point will have something to turn FROM. It will be a pivot point from one situation to another.

Sometimes the effects of an emotional turning point will be obvious. But most of the time, we can’t jump from fear to anger or joy to despair without showing at least a little of the thought and emotional process. We have to show the turning so that our readers can experience the full emotional journey.

Next time, we’ll look at showing the process.

What do you think? What are your favorite emotional turning points? How are they set up? How are they portrayed?

Photo by Stacy Lynn Baum