Tag Archives: faye hughes

Cons of the Hero’s Journey (and a winner!)

This entry is part 15 of 24 in the series The plot thickens (Mwahahaha)

No plotting method is perfect—though a lot of Hero’s Journey fans may tell you that the HJ comes close 😉 . However, academics and scholars have pointed out some weaknesses in using the Hero’s Journey as a template for a novel or movie.

On a scholarly level, many point out that Campbell’s theories (the basis for Vogler’s, if you’ll recall) may not really be supported by the full body of mythology and fairy tales. He uses the Western canon, and even then, not the worldwide canon, to support his theories, and within mythological studies today, most consider his work an overgeneralization at best.

As Eileen mentioned in the comments yesterday, the Hero’s Journey can sometimes seem a little formulaic. However, that’s not always a bad thing. Romance, mysteries/thrillers/suspense, and inspirational novels are all “formulaic”—they have a prescribed formula, and if you break with it, well, good luck with the audience. Fans of those genres read them because they know how they’re going to turn out, and that reaffirmation is powerful.

On the other hand, some do believe that adhering to the Hero’s Journey had produced a lack of originality and clichés in pop culture, especially in movies. (However, I still think it’s versatile enough to use—just try to give your story events a fresh twist. Isn’t that what we should be doing anyway?)

Finally, the Hero’s Journey isn’t all that kind to women—and not just because it’s not called the “Heroine’s Journey.” While it’s certainly possible to use a woman instead of a man as a protagonist, Campbell’s archetypal roles for women include mother, witch and damsel in distress. Not exactly a strong, empowered female role model, eh?

Critical analysis aside, however, the Hero’s Journey can still be a good model for plotting a story—even if it doesn’t magically give you the story events that will make your story a perfect, marketable marvel.

Next week, we’ll take a look at another plotting method that helps you not only plot but also pace your story events.

And before we end here, of course, we have to announce our winner of a free copy of The Everything Guide to Writing a Romance Novel. After taking out comments from me, Faye and her co-author Christie, and using the a random integer generator, the winner is <drum roll please>

Stephanie of Write Bravely

Congratulations, Stephanie. If you’ll send me your mailing address, I’ll pass it along to Faye and she’ll get the book out to you ASAP.

How has the Hero’s Journey fallen short for you and your story telling?

Photo by Mary Harrsch

The Hero (and Heroine)’s Journey–Hero’s Journey in romance

This entry is part 14 of 24 in the series The plot thickens (Mwahahaha)

by Faye Hughes

Thanks, Jordan, for allowing me to join you on your blog today. It’s such a pleasure to be here.

I’m going to be talking about plotting a romance novel using the hero’s journey paradigm. Now, first, a disclaimer: This approach works for a lot of romance novelists but it may not work for you. We’re all individuals so we all approach the plotting process from a different viewpoint . . . and you know what? That’s just fine.

The hero’s journey is based on the work of screenwriter Christopher Vogler, whose book The Writer’s Journey: Mythic Structure for Writers was in turn based upon his interpretation of the archetypes described by Joseph Campbell in his seminal work on mythology, The Hero with a Thousand Faces. Romance author and lecturer Debra Dixon used Vogler’s interpretations in her fabulous—and when I say, “fabulous,” I mean you REALLY need to get a copy of this if you’re writing a romance novel—book, Goal, Motivation, and Conflict.

everythingguideBasically, Vogler suggested that all fictional heroes—whether in a novel or a screenplay—would follow a similar path during the course of the story. When Vogler’s insights regarding the hero’s journey are applied to the traditional three-act paradigm for writing a romance novel, the result can flesh out the plot and give insight into character.

It can also ensure that you’ll avoid the saggy middle and other plot pitfalls.

The hero’s journey paradigm includes:

I. Act One

a. Ordinary World: The H/H (hero and heroine) are in their normal world before story begins.
b. Call to Adventure: The H/H learn of the problem, receive a challenge or the call to adventure that can lead to their romance.
c. Refusal of the Call: The hero or heroine (or both) refuses the call (due to their respective internal conflicts).
d. Meeting with the Mentor: The H/H meet with a mentor who offers advice or training.
e. Crossing the First Threshold: The H/H take the first step toward the romance (the first kiss, perhaps).

II. Act Two

a. Tests, Allies, Enemies: The H/H face and resolve their numerous non-primary conflicts and meet the secondary characters who will hinder or help them on their path to true love.
b. Approach to the Inmost Cave: The H/H encounter numerous obstacles while pursuing their primary goal (an HEA [Happily Ever After]).
c. Supreme Ordeal: A major plot point where an important secondary conflict seems to doom the romance (could also include the primary conflict peripherally, though not always).
d. Reward: The H/H overcome their secondary conflict.

III. Act Three

a. The Road Back: The H/H begin the return to their ordinary world, although the primary conflict is still unresolved.
b. Resurrection: The Dark Moment where the H/H face the loss of their romance and must use every lesson they have learned along their journey to resurrect their love.
c. Return with Elixir: The H/H return from their journey with the “elixir”—their HEA.

The reason I like using The Hero’s Journey paradigm for writing a romance is that it ensures we have all of the elements needed for a successful romance novel in our book.

One final thing, I’m offering a copy of mine and Christie’s book, The Everything Guide to Writing a Romance Novel, to one commenter, so please leave a comment. [Update: we have a winner, thanks everyone for commenting!]

Happy Writing!

About the author
Faye Hughes, a Mississippi native currently living in New York, is the award-winning author of seven highly-acclaimed novels of romantic fiction published by Bantam, Zebra and Meteor. Heralded as one of the rising stars of contemporary romantic fiction during the 1990s, Faye received two W.I.S.H. (Women In Search of a Hero) awards for her work from Romantic Times BOOKLovers Magazine. Two of her romance novels have been optioned for television movies. Her website is at www.FayeHughes.net. She and nonfiction co-author Christie Craig have a joint website at www.WritewithUs.net.