Tag Archives: writing conference

All about character arcs!

This last weekend, I taught a class on character arcs at the LDStorymakers Writers’ Conference. I was really pleased with how it went!

Today I’m sharing the presentation itself as well as links to all the articles I referenced in my presentation. So, here we go!

The Presentation

via Prezi


I’ve left it so that you can zoom in/out on whatever you’d like. (Sorry, no sound effects 😉 .)

The References

A lot of the presentation came from my series on character arcs:

My character arcs series is also available as a free PDF! (More free writing guides.)

Other awesome references:

Alicia Rasley’s articles on character arcs:

Blog posts on Michael Hauge’s classes:

These are the articles I referenced directly, but I studied a lot of great information on character arcs. I’ll be sharing more about character arcs later this week on my newsletter—be sure to join for the latest news & writing resources!

With a brand new baby, attending a conference is always a challenge. My husband was wonderful enough to take care of her at home until after my presentations, and then I took her after that.

JR and baby at conf
Baby’s first writers’ conference! (She was 5.5 weeks.)

It’s always so good to hang out with “my people”: writers!

What do you think? What’s your favorite part of writers’ conferences? Were you at Storymakers? What was your favorite part?

Photo credits: Character arcs—Riccardo Romano

LDStorymakers Writers’ Conference 2013

I think I’ve forgotten to share this here (though I’ve mentioned it a couple times on my email newsletter), but I’m presenting at the LDStorymakers Conference May 10 and 11!

LDStorymakers

My class will be in the advanced craft track, on Character arcs:

All Dressed up with Nowhere to Grow: Character Arcs in Fiction

You can have the greatest plot in the world but for a character to truly resonate with readers, s/he should change and grow over the course of the story. This workshop will explore the ins and outs of discovering and showing your characters’ growth from beginning to end. Developing your characters’ internal journey will give you more powerful characters—and more powerful fiction.

There will also be some awesome agents, editors and authors there—including a keynote address by NYT best-selling author Anne Perry. There will be keynote-only tickets as well.

For attendees, there’s also a Show Your Love contest—mention the conference and the contest on your blog for a chance to win some fun prizes, including VIP seats at dinner with those editors and agents.

This will be my 5th Storymakers Conference. If you’ve never been to a writers’ conference, let me tell you: the opportunity just to socialize with people who really get you and what it means to be a writer is worth it (especially since Storymakers is really affordable for a full writers’ conference!). The connections I’ve made from this conference are absolutely invaluable—I have literally hundreds of friends because I’ve attended this conference. And not in a misusing-the-word-literally way, either.

So if you’ll be in town, go! And especially to my class. I mean Anne Perry’s keynote. I mean—yeah.

How have you benefited from writers’ conferences? Come share!

Getting the most out of writers conferences

I’m at a writers conference today, so I’ve pulled out a great guest post from the archives, which originally appeared as part of the writing resources series.

by Samantha Clark

I love going to writing conferences. There’s something so inspiring about sitting in a large of group of people who all share your same passion. No matter whether it’s a big conference or small, both have their advantages.

My first writing conference was a biggie. Back in 2007, I was living in Los Angeles and attended the big summer conference for the Society of Children’s Book Writers and Illustrators there. Three days of information, inspiration, fun, jokes, motivation and creativity. I sat in the big and small gatherings and soaked up everything I could, every word from the speakers as well as the every ounce of excitement in the air. By the end of the conference, I was hooked. It was like drinking a giant Slurpee cup of creativity, and I wanted more.

Since then, I’ve moved away from Los Angeles, but my love of conferences has continued. In my current home near Houston, I’ve found wonderful single-day conferences that give me just as much as that big summer conference, with the added benefit of a more intimate setting. At these smaller conferences, there’s much easier access to the speakers. Generally, at the summer conference, the attendance is so huge, the speakers are swarmed after every appearance. But smaller events are much more relaxed. Our annual Houston SCBWI conference holds a dinner where attendees can chat with the invited speakers over fajitas. What better way is there to get to know someone?

From conferences, you obviously get access to the information the speakers provide, which could be anything from an editor telling you what they’re looking for to an agent giving query letter writing tips. But there are lots of other benefits:

  • Friends. Writing is solitary, and conferences give us an opportunity to get together with other people like us.
  • Writing help. As well as the writing tips speakers often give, conferences usually offer critiques with professionals, including agents, editors and published authors. These usually require additional payment, but they can be worth.
  • Contacts. Conferences are a chance to meet agents and editors you might work with later. Writers have made connections with editors at conferences and later sold them a book or been asked to write on assignment.
  • Inspiration. Every writer has bouts of doubt and times when our creativity pool dries up. Going to conferences is like getting a shot of inspiration in the arm. This is a business of passionate people, and that passion brims over to attendees at conferences. Without fail, even if I haven’t heard anything new at a conference (which is rare), I’ve always left feeling energized, and that was worth the price of entry.

How do you prepare for a conference?

  1. First, research the conferences in your area. The SCBWI website has a list of the group’s events, but you can find others with an Internet search. Research the speakers and make sure they’re people you’d like to hear. There’s no point going to a conference focusing only on picture books if you write novels.
  2. Once you know which conferences you want to attend – and can afford – register early. If you plan to get a critique, registering early means you’re more likely to get the person you want. Also, many smaller conferences sell out, so registering early secures your space.
  3. A few days before the conference, research the speakers again. The conference will have their basic bio, but look around on the Internet for interviews and read their blog, if they have one. Jot down some notes in the notebook you’re planning to take. This way, when you see them speak, you’ll have a better idea of who they are.
  4. If there are any speakers you would like to talk to, perhaps to ask a question or just compliment them on one of the books they’ve worked on that you’ve read, seek out this person in a nice, polite way (i.e. not in the bathroom, not while they’re eating unless you happen to be sitting at their table, and not interrupting their conversation). If they’re talking to another attendee, stand by and wait your turn. Once you have their attention, introduce yourself, tell them what you love about their work, ask them your question, then thank them and say goodbye. Keep it short, sweet and professional. In my experience, speakers are more than happy to talk to attendees as long as it’s on a professional level.

Going to conferences can be a very rewarding way to boost your writing life. Take advantage of the conferences offered in your area, and when you get home, your brain will be begging you to start writing.

About the author
Samantha Clark writes middle-grade fiction and blogs about writing, children’s books and writing conferences at DayByDayWriter.wordpress.com. You can subscribe to DayByDayWriter to read more.

Photo credits: SCBWI conference—Rita Crayon Huang; click—Jordan McCollum

Good news for me—and for you!

Over the weekend, I had the privilege of attending the LDStorymakers writers’ conference for the third time. And for the second time, I pretty much panicked whenever I thought about the results of the first chapter contest.

In fact, I even told people (like, I don’t know, my own husband) that I hadn’t entered at all. (I told him to view this as evidence of only my own insecurities and the fragile state of my ego, not any reflection on him. Plus, I’d told him I entered months ago and he just forgot.)

But, as you may have guessed from the title of the post, I had the honor of receiving an award in their first chapter contest:

Mystery/Suspense Category: First Place for Façade!

And you can read that chapter here!

Thank you to everyone who helped me get my first chapter in shape—and thank you for all the feedback I’ve received on the chapter since then.

(And yes, if you’ve been here a while, I actually won the same award last year.)

Okay, so, obviously, that news isn’t “good” for you so much—but this next one is. Today I’m guest blogging at Romance University. It’s the fourth installment on a series on author websites:

And if that’s not good news for you, maybe this will be—three lucky commenters on Romance University will have their websites critiqued (critiques to be posted on Thursday)!! So head on over!

Get the most out of conferences

This entry is part 4 of 5 in the series Writing resources

by Samantha Clark

I love going to writing conferences. There’s something so inspiring about sitting in a large of group of people who all share your same passion. No matter whether it’s a big conference or small, both have their advantages.

My first writing conference was a biggie. Back in 2007, I was living in Los Angeles and attended the big summer conference for the Society of Children’s Book Writers and Illustrators there. Three days of information, inspiration, fun, jokes, motivation and creativity. I sat in the big and small gatherings and soaked up everything I could, every word from the speakers as well as the every ounce of excitement in the air. By the end of the conference, I was hooked. It was like drinking a giant Slurpee cup of creativity, and I wanted more.

Since then, I’ve moved away from Los Angeles, but my love of conferences has continued. In my current home near Houston, I’ve found wonderful single-day conferences that give me just as much as that big summer conference, with the added benefit of a more intimate setting. At these smaller conferences, there’s much easier access to the speakers. Generally, at the summer conference, the attendance is so huge, the speakers are swarmed after every appearance. But smaller events are much more relaxed. Our annual Houston SCBWI conference holds a dinner where attendees can chat with the invited speakers over fajitas. What better way is there to get to know someone?

From conferences, you obviously get access to the information the speakers provide, which could be anything from an editor telling you what they’re looking for to an agent giving query letter writing tips. But there are lots of other benefits:

  • Friends. Writing is solitary, and conferences give us an opportunity to get together with other people like us.
  • Writing help. As well as the writing tips speakers often give, conferences usually offer critiques with professionals, including agents, editors and published authors. These usually require additional payment, but they can be worth.
  • Contacts. Conferences are a chance to meet agents and editors you might work with later. Writers have made connections with editors at conferences and later sold them a book or been asked to write on assignment.
  • Inspiration. Every writer has bouts of doubt and times when our creativity pool dries up. Going to conferences is like getting a shot of inspiration in the arm. This is a business of passionate people, and that passion brims over to attendees at conferences. Without fail, even if I haven’t heard anything new at a conference (which is rare), I’ve always left feeling energized, and that was worth the price of entry.

How do you prepare for a conference?

  1. First, research the conferences in your area. The SCBWI website has a list of the group’s events, but you can find others with an Internet search. Research the speakers and make sure they’re people you’d like to hear. There’s no point going to a conference focusing only on picture books if you write novels.
  2. Once you know which conferences you want to attend – and can afford – register early. If you plan to get a critique, registering early means you’re more likely to get the person you want. Also, many smaller conferences sell out, so registering early secures your space.
  3. A few days before the conference, research the speakers again. The conference will have their basic bio, but look around on the Internet for interviews and read their blog, if they have one. Jot down some notes in the notebook you’re planning to take. This way, when you see them speak, you’ll have a better idea of who they are.
  4. If there are any speakers you would like to talk to, perhaps to ask a question or just compliment them on one of the books they’ve worked on that you’ve read, seek out this person in a nice, polite way (i.e. not in the bathroom, not while they’re eating unless you happen to be sitting at their table, and not interrupting their conversation). If they’re talking to another attendee, stand by and wait your turn. Once you have their attention, introduce yourself, tell them what you love about their work, ask them your question, then thank them and say goodbye. Keep it short, sweet and professional. In my experience, speakers are more than happy to talk to attendees as long as it’s on a professional level.

Going to conferences can be a very rewarding way to boost your writing life. Take advantage of the conferences offered in your area, and when you get home, your brain will be begging you to start writing.

About the author
Samantha Clark writes middle-grade fiction and blogs about writing, children’s books and writing conferences at DayByDayWriter.wordpress.com. You can subscribe to DayByDayWriter to read more.

Photo credits: SCBWI conference—Rita Crayon Huang; click—Jordan McCollum

How to Write and Still be a Good Parent by Tristi Pinkston, LDStorymakers

Presented by Tristi Pinkston (blog)

The most important thing to keep in mind—as parents we have the divine right to receive divine inspiration about your family. If I make a suggestion that doesn’t fit within with your circumstance, you can be given ideas for how to make it all work.

Now, The Family: A Proclamation to the World came out in September 1994, and I had just been married a month previously. My husband and I used it as a template for what we wanted our family to be. Now, we’ve always been taught the traditional roles that father is to support family, mothers raise the family. The proclamation made this into not just “this is our goal” but “this is what we believe.”

When we make the decision to become wives and mothers, we know we’ve done the right thing. We know this choice will make us eternally happy, it has an eternal purpose. But then, we also start getting these ideas that since we’re a wife and mother we’ll never be anything else (because the world tells us motherhood is stupid. Mothers are schlumpy and worthless. [Oh. Man. I have a whole blog about rejecting the world’s view and finding fulfillment in motherhood. Don’t even get me started over here!]) We feel like we’re not making a contribution.

I put my writing aside when I got married because I believed I couldn’t be a good wife, a good mother and a writer. I was going to wait until my children were all grown up, and I was at peace with that because it was based on the Proclamation. But the little devil on my shoulder was saying: “Because you’re a mother, you shouldn’t have any other hobbies. You are a mother and that is so eternally important that you can never do anything else. If you take a single moment to yourself, you’re selfish and you’re bad.”

I hear “I want to be a writer, but I can’t ’cause I’m a mom” so often. You don’t have to put your dreams on hold just because you’re a parent.

I find it impossible to teach about writing without linking it to the spiritual because writing is spiritual. Creation of anything is a spiritual gift.

One of the missions of the church is to perfect the saints. How do we do that?

  • Exercising our talents—let’s not bury them, eh?
  • McConkie—each soul developed its talents as desired in first estate
  • Embracing our talents and learning to use them is part of our missions on Earth.
  • Some day we will be judged based on what we’ve done with the abilities the Lord has given us
  • We can reach out and touch the hearts and souls of people—Proclaim the Gospel (another mission of the church)
  • Hearts can be touched by arts in glorifying, edifying ways.
  • Moroni 10:8: Deny not the gifts of God. Gift of tongues doesn’t just mean speaking. Extends to written word—form of communication
  • Boyd K. Packer—b/c members with special gifts reach out with them, we learn some spiritual things very quickly
  • Our talents are for consecration, but that doesn’t mean that you can’t make money on it.
  • D&C 82:18: And all this for the benefit of the church of the living God, that every man may improve upon his talent, that every man may gain other talents, yea, even an hundred fold
  • Thomas S Monson: the Lord’s storehouse includes the time, talents, resources, etc.
  • See supplemental links on her blog
  • M. Russell Ballard: “Find some time for yourself to cultivate your gifts and interest Pick one or two things that you would like to learn or do that will enrich your live, and make ties for them. Water cannot be drawn from an empty well, and if you are not setting aside a little time for what replenishes you, you will have less and less to give to others, even until your children.”

Personal struggles with motherhood—I love my children but it’s hard to be a mother [I hear ya!]. I was pondering this once when I had a clear image come to my mind: a puddle and a fountain. Both are sources of water, but they’re different. People walk through puddles and track the water out. Puddle gets smaller and smaller until it’s dry. A fountain has a core of strength in the center. The water shoots out, goes to a pool in the bottom, and is recycled. It’s constantly producing, not losing anything of itself from having given the water. As mothers, we need to be like fountains and not like puddles.

We need to feed ourselves the things that we need spiritually, socially, physically, etc., so that when people come to us seeking water, we’re not depleted. If we persist in being puddles, our effectiveness to Him is diminished.

Calls up Keith Fisher—talk to me about “Dad Guilt.”
You go to work—that is your divine responsibility. Providing for the family is tied to a man’s self-esteem.
Keith: Most men feel that what they do is who they are.
When you do something that may or may not make you money for the family, do you ever feel guilty about that? Do men take a writing hobby and feel as guilty about it as women??
Keith: Oh, of course, yeah. There are times when I should be on a Daddy Daughter date and I’m editing.
Just wanted to double check that this applies to the men, too.
Other guy, Randy: I came in here specifically because of that.

Men need to have the same sources of renewal as women do. While their stresses are different—stressing about providing for family—they need to understand it’s okay for them to do something for them, too. We need a personal space for ourselves so we can give our best to our families.

Keep your priorities straight: As you immerse yourself in your writing, you are going to want to stay immersed in your writing. Your children will need things—we must keep in mind that the family is the most important thing.

At the same time, there are boundaries we can establish with our families to show that we need a little time—true needs vs. things that can be put off till later. The Spirit will dictate which is which.

M. Russell Ballard:

There is no one perfect way to be a good mother. Each situation is unique. Each mother has different challenges, different skills and abilities, and certainly different children. The choice is different and unique for each mother and each family. Many are able to be “full-time moms,” at least during the most formative years of their children’s lives, and many others would like to be. Some may have to work part-or full-time; some may work at home; some may divide their lives into periods of home and family and work. What matters is that a mother loves her children deeply and, in keeping with the devotion she has for God and her husband, prioritizes them above all else.

At the same time, we have to balance this—I have seen good women become very focused on what they want to accomplish and they pull away from the Spirit. As Dallin H. Oaks said:

By the same token, a woman’s righteous and appropriate desires to grow, to develop and to magnify her talents—desires strongly reinforced by current feminist teachings—also have their extreme manifestations, which can lead to attempts to preempt priesthood leadership, to the advocacy of ideas out of harmony with Church doctrine, or even to the abandonment of family responsibilities.

Gordon B. Hinckley pleaded that we work at our responsibilities as parents as if everything in life counted on it. Because in fact, everything in life does count on it.

About a year ago, I sat down and analyze my mothering. I realized I was micromanaging everything. I thought I had to be in control or there would be no control. I was doing things for my kids that I didn’t need to (and vice versa). Transferring some of her responsibilities to her kids—laundry, dishes, other chores. (AND it’s okay if things aren’t done “right.”)

We have a lot of jobs as parents, but are these among them?

  • forget to educate ourselves as we educate them
  • forget to feed ourselves when we feed them
  • sacrifice health, sleep and sanity because we do this for them
  • make all their decisions for them
  • pour milk for our 10 year old

What to do!

[Can you tell I’m excited to see practical application?]
First thing we’re going to do:
Sit down and think about our kids. What are we doing for them that they could be doing for themselves? What do we need to do for them that maybe we’re not?

I asked my kids: “What do you need from me?” Every single response had to do with taking time for them. I realized I hadn’t been emotionally giving of myself to my children. I had to take down my emotional wall and become vulnerable—but you can’t have those walls with your kids. Must be emotionally available.

Second thing: take a daily schedule and chart out time they’re otherwise occupied that week: school, nap, playdate, fave show. 15 min chunks. You can have your kids watch shows of value that you can let your children watch for certain times of the day without guilt.

Think about your time—get up earlier? Stay up later? (her time is 10 PM – 2 AM). Candace E. Salima gets up at 4 AM to write. Sometimes we can do with a little less sleep. If you hold down full time jobs, sometimes that’s our only writing time.

Don’t feel guilty if you can’t get everything done that you want to. Your house doesn’t have to sparkle. Your family doesn’t care what dinner as as long as it’s hot. I advocate make-ahead freezer meals.

Rearrange the furniture so your computer is in the flow of traffic—this prevent fights. Learn how to write with chaos. Be accessible to your children so they don’t feel neglected.

Get Ziploc containers with snap-on lids. Every other day, fill them with snacks, and stack them in fridge. Get sippies and fill them with water. Make a whole loaf of sandwiches and put them in the bread bag. Your child comes to you during your writing time—you say, “You can have one of your SPECIAL snack bowls!” Put it on his level, in containers he can open and access.

Older kids can help younger kids, too. Kids feel validated and get what they need.

If you’re not writing, but in a quiet time (driving, standing in line, etc.), use it to think of the next time you’ll write. Think through your next scene, plot (this happened with her new release, Agent in Old Lace [read my review!]).

Find ways to work writing into her life. As you think about this, you will be given ideas for how to work them into your own system. You will be given strength in your own parenting. As you keep the family as your priority, your time with them will improve. Your experiences will improve. But don’t turn your back on your writing. There are some people for whom this is not their time and their season, but the fact that you’re here [at the conference] says that your time is now. Heavenly Father knows us and has our interests and our children’s interests at heart. As we go to Him for help, you will have ideas flow into your mind—organizational ideas she’s had.

You are a steward over these spirits, but also over yourself.

About the conference: LDStorymakers is a writing contest geared to LDS writers. The conference covers both the niche, regional publishers that cater to the LDS market as well as national publishers.

Self-editing and Revision presentation by Julie Coulter Bellon

Highlights of the presentation by Julie Coulter Bellon

CLAW—the 4 secrets for self-editing

Check off your basic editing checklist
Let someone else read it for you that will give you good feedback
Always print it out and read a hard copy
Walk away for a few hours, days or weeks and come back with fresh eyes.

Check off your basic editing checklist:
Never rely solely on your spell/grammar check (“Misspellers of the world, untie!”; see also “Always print it out and read a hard copy”). Watch your tenses and subject/verb agreement.

Avoid too many adverbs/adjectives [emphasis mine: some people read this advice without reading the examples and think you can never use adjectives or adverbs. Also note that repetitive adjectives like “green grass” below are also something to watch for]—laundry lists of description: Julie called this “the laziest writing”:

  • “It was a beautiful sunny June day and the lush, emerald green grass reflected the bright yellow sunlight and hurt my eyes.”
  • “She desperately wanted to kiss him passionately.”
    • Telling versus showing!

Shun redundancy and repetitiveness [I am HILARIOUS]—on the micro level (crutch words, using obscure/unusual words over and over, and empty words “just,” “actually,” “really,” etc.) and the macro level (do you have two chapters that serve the same function? Cut one).

Balance: break up really long paragraphs (never more than a page!!), balance narrative and dialogue. (But leave out unnecessary dialogue tags.)

Let someone else read it for you:
Get more than one brutally honest reviewer—no mothers or grandmas!

Always print it out and read a hard copy [To which I add: read it OUT LOUD.]
Changing the font can be helpful [Also helpful, from Stein on Writing: change the author’s name to one you either love or hate.]

Have a pen with you to jot down notes as you read [and also as you were writing—change a character’s backstory on page 127? Make a note of things to fix and fix them in this edit].

Walk away for a few hours, days or weeks and come back with fresh eyes
Take time to enjoy having finished. [Dance of joy!] But seriously, leave it alone—the changes will come to you.

Leaving it can also give you the emotional distance necessary to cut anything that doesn’t advance the story, even if it’s your favorite part. (Julie points out that you can put deleted scenes on your website!)

Now what?

The deep edit: down & dirty with the editor’s checklist

Looking at the big picture with the editor’s checklist:

  • Show us what your character is experiencing in that moment
  • Avoid passive voice
  • Stick to one POV per scene, please!
  • Make sure you have hooks to keep them turning pages, especially at the beginning and end of chapters
  • Does each character have a motivation? (villains, MCs, not so much a concern for secondary characters)
  • Does the setting contribute to the piece?
  • Is the story timeline consistent?
  • Does the conflict keep the tension throughout the story? (don’t resolve things too quickly)
  • Natural flow—nothing contrived [no deus ex machinas!]—to keep believability, don’t pull the rug out from underneath your readers. [That makes people throw books.]
  • Is there a balance of narrative, action and dialogue?

The drive-thru edit vs. the seven-course meal edit
The combo meal story: a string of clichéslike ordering your usual at the drive thru: you hardly have to look at the offerings anymore. It’s like an editor’s slushpile. They will spot your combo meal story a mile away.

Critique partners/readers describe it as “familiar” and “predictable.” Lots of unnecessary “fat”—characters that aren’t vital, characters that are one-dimensional, too much description, loose ends.

To fix the combo meal story: give it a twist, dig a little deeper. Expand your writing menu. Conversely, be prepared to cut extra words, descriptions, narrative, even characters, even if they’re good. Instead, use active, powerful scenes and action verbs.

On the other end of the spectrum: 7 course meal story: some of later courses smelled so good your mouth watered, but you couldn’t enjoy it because you were too full. Lots of characters, twists and turns, complexities—lots of places to lose your reader (and yourself in your editing!).

To fix the seven-course meal story: Again, cut unnecessary words, descriptions, narrative and characters. Strive for simplicity and clarity—and focus on the compelling story. Maintain a character notebook.

When do you stop editing?

  • When you’ve done CLAW and a deep edit
  • When you’ve addressed your readers’ concerns
  • When you’ve gone through it for plot, continuity and characterization and setting errors
  • When you’re sick of it.

Find a happy medium

  • enjoy what you’ve created
  • dont’ beat yourself up over mistakes [Do you get the self-referential joke I put in there? Totally on purpose 😉 ]
  • realize that the writing and editing process is a journey and some trips are longer than others.
  • Keep learning—figure out your weaknesses and now to combat them—be willing to do the work

A polished piece with an author who is still teachable is valuable to an editor, agent and publisher. [Aside from the great editing advice, the word teachable was my biggest takeaway from this session. It’s something I know I need to work on—and I guess acknowledging that is a good start!]

I put my MS back together—where do I go from here?
Pat yourself on the back, remember that writing—and editing!—can rejuvenate and SUBMIT IT!

About the conference: LDStorymakers is a writing contest geared to LDS writers. The conference covers both the niche, regional publishers that cater to the LDS market as well as national publishers.