Tag Archives: works in progress

How do you write?

I have to admit it: I’m one of those writers who doesn’t really do much of anything until I absolutely fall in love with an idea—anything from a character to a scene to a setting. My ideas come from dreams, friends, books, movies, TV, etc. But until an idea really grabs me, I can’t sustain my interest enough to spend three or four months on drafting.

light fire matchesBut man, when that idea strikes, it’s hard to make myself do the normal day-to-day, keeping-the-house-clean, being-a-mom stuff. All I want to do is write, and yet no matter how fast I write (my record is 5000 words in a day), it’s not fast enough. The rest of the book stretches out in front of me, scenes and lines and snippets that threaten to slip away before I can get there. So I race on.

An idea struck three weeks ago. So far, I’ve gotten down almost 23,000 words. (Woot! Check out my progress bar in the sidebar.) I’m excited to be drafting again (first time since April), and if I finish the draft by October 21, I’ll have drafted three books in a year. That’s pretty cool.

It’s interesting how different each book is, you know? Not just plot-wise or character-wise (although these three books have the same hero/heroine), but process-wise.

This time around, I’ve accepted that what I like to get in there are people, action, dialogue and plot twists. Cool. On my last MS, I tried to get everything in there on the first draft—sensory details, settings, character descriptions, etc. etc. This time, I’m embracing my favorite parts—I mean, I’ll put in the other stuff as needed, but if a scene is all dialogue/action, and it takes place in a vacuum, I’m not going to cry about it in this draft.

inspireFor me, that’s stuff I can add later, in each layer of editing. In fact, I’m taking this week off drafting to go back to the first MS I wrote during this year to add in more of those descriptions and sensory information, since the second half of the book is rather bereft of those (silly me, thinking all the character and setting descriptions were established in the first half, and we wouldn’t need anymore after that!).

How about you? What inspires you? Do you try to get everything in one draft—and if not, what do you leave out to add in later?

This week is probably going to be a bit of a catch-all week as I try to get things done between editing bouts and housecleaning—and, of course, working on the PDF from our website series. But next week, we’ll start another new and awesome series. I think 😉 .

Photo credits: matches—Kicki; inspire—Mark Brannan

Happy birthday to me!

My birthday present to myself: finishing revisions on Evidence!

My birthday present to you: an excerpt from Duty of the Priest!

Presents that feel this good without costing a dime (no comment on opportunity cost): priceless.

Finito

One of these days I’m going to run out of ways to say it, but once again: I’m done! I was worried about the word count there for a while, and there are still some issues that are bugging me and some scenes that need to be fixed (and maybe added), but I just typed “the end.” (Okay, so first I said it over on Twitter.) And despite my concerns, I reached an acceptable 84,000 words.

I’ve got a page of notes of things I want to change, and I want to go through and work on physical descriptions of people and settings (especially the weather). Sometimes I get through first drafts and it’s like this whole story has taken place in a white room with blank-faced people—or at least it could have, from how much description I’ve given.

So the tentative title is Evidence of Things Not Seen. I’m kind of happy with it, even though it does seem a little long. It parallels nicely with Duty of the Priest:

  • They’re structurally parallel: both use prepositional phrases with an ‘of’ head.
  • Both come from scripture references (Duty is a rephrasing of Doctrine and Covenants 20:46 and Evidence is somewhat obviously from Hebrews 11:1.)
  • The first words of the titles, Duty and Evidence, aside from being handy handles to toss around, are also words with strong law enforcement connotations. Appropriate for FBI-themed novels, don’t you think?

Once again, I’m off to revisions!

Revisions, Round One

Well, three months after I started the manuscript, I think I’m finally done with round one revisions on Duty of the Priest. (I have to be careful about using that working title too much; I’ll get attached and I know they’re going to change it!) My friend is done with her parallel story and I’ve spent the last three days “correlating” them—making sure that they’re consistent wherever they overlap. I’m a one-woman correlation committee 😉 .

At this point, I’ve gotten it as good as I can get it while it’s all still this “close.” So now I’m sending it off to my wonderful critique partner for feedback—and to get some distance.

And, of course, now I can really focus on the sequel.

I just couldn’t wait

I know, I know, it’s terrible of me, but I just couldn’t wait to get started on a sequel to my latest manuscript. I’m still revising the last book (Duty of the Priest, maybe?), but I just had to get the opening chapters out of the way of this book. They were driving me crazy, and I was starting to think I was going to forget some good lines I wanted (and I probably did).

Apparently I’m a glutton for punishment.

Aaand Fin

Whoa. Eight weeks after starting my latest work in progress, I just finished the last scene! I have a couple places I’ll need to add scenes now, but I’ve ended up with 80,000 words in less than two months. (And I said I wasn’t going to do NaNo!)

And you know what it’s time for now!

Dance of joy!

 

New WIP!

It’s about time—three months after giving birth to my daughter, I’m starting a new work in progress. The idea was a joint effort between me and one of my best friends. We’ve outlined the plot for four POV characters and are both hard at work on parallel stories. Murder, mayhem and much fun will ensue!