Z is for Zeal

When I’m writing first drafts, in general, my two favorite parts are the beginning and the end. Usually, I’ve envisioned both of these long before writing, and I’ve been looking forward to them for a long time.

The end is fun because I’ve anticipated it so much, because it’s so satisfying to be done (for now), because it’s the final show down and my chance to have true love conquer all and/or justice to triumph just when it seems impossible. It’s something I’ve imagined and re-imagined, crafting lines of dialogue or action sequences or prose, foreshadowing.

Beginnings are even better. Often I start them before I even intend to, so many ideas and characters and phrases are screaming to get out before I forget them. I’ll have been thinking about a story idea for a week or a month, and all of the sudden, I’m at the computer, just giving it a try. A day or two later, when I’m a chapter or two into it, sometimes I’m so in love with it I send it to a couple friends for an alpha read. (A day after that, I’m ready to tell my husband I’ve started another book—which basically means we’ll see each other again in a couple months 😉 .)

Now, there are of course lots of scenes in the middle that I look forward to, but it’s hard for me to pin down a pattern of which scenes or plot points are most exciting. It’s pretty consistent with beginnings and endings for me. Revising I’m less enthused about, but I do love the purpose and the result—getting better and better!

What do you think? Do you have favorite sections to write? How do you feel about revising?

Photo by The Shopping Sherpa

Y is for Yea!

Yea! This A to Z thing is almost over!

Yea! I have a conference coming up, and I’ll get to see my friends and just spend time with other writers!

Yea! I have 8,000 things to get done (and that’s one of my favorite numbers of things to say I have to do . . . . that was convoluted)!

Yea! My husband took the kids for 2+ hours today so I could work on those 8,000 things! I got one done. But hey, one more than yesterday!

Yea! The Ugh story is doing better!

Yea! For encouraging blog posts!

Yea! For trying to find joy in the little things!

What do you have to say yea to?

X is for eXasperating

This entry is part 6 of 6 in the series bad advice

Surprisingly, not that many X words occurred to me 😉 .

I sometimes feel like I’ve received more than my fair share of bad advice on my writing. (This probably isn’t true, but it still feels that way.) From people who seemed to be half-reading what I wrote, and half just making crap up, to people who were obviously trying to teach me a lesson (which no one else who’d read it seemed to see), from those who were trying to remake my writing to sound like theirs to those who could tell me I was breaking writing “rules” without apparently understanding what the rules were for in the first place—and my personal fave, the person who killed off my killer in the opening scene—sprinkled among fabulous advice from insightful readers that has and continues to help me improve my writing, I’ve gotten an awesome sample of how not to be a critique partner.

Unfortunately, that doesn’t necessarily make it easier to 1.) tell good advice from the bad, or 2.) move on from well-intentioned but wrong-headed advice. Even when I have great, enthusiastic responses from critique partners to comfort me, some words still chafe.

Even more frustrating than the feedback is my tendency to dwell on it. When I’m faced with this, I try to tell myself a couple things:

  • Does this bother me because I agree with it on some level? Then how can I fix it?
  • This person isn’t omniscient. He might not even know what he’s talking about.
  • What does the majority say? Look over the feedback I’ve received from others to see if there’s anything directly addressing this issue.
  • What does my experience say? Does this advice work for me?

And then I go to my wall o’ praise: the spot where I’ve taped up pages of nice things people have said about my writing.

What do you think? How do you handle critiques or advice that just BUGS you?

Photo by Elyce Feliz

W is for wacky words

I love my kids, and I love words, so it probably goes without saying that I love my kids’ words. My favorite is when my small children suddenly use large words. Among other favorite phrases, my two-year-old daughter has started saying “Acksee . . .” (actually). But I think the most surprising recent words were this:

Last night at dinner, we were talking about our visit with Nana (my mom). I asked my son Hayden what his favorite part of the visit was. He decided his favorite part was getting new blocks from Nana.

“Here’s the backstory,” he said. And he proceeded to explain in great detail the shopping trip a week ago when we bought the new blocks.

Even a five-year-old can understand backstory! (And we’ve talked about backstory before—for a whole series.)

What do you think? How often do you use backstory?

V is for Voice

Agents Suzie Townsend and Joanna Volpe are doing “First Page Shooter” on their blog—participants submitted their first page and the agents are giving feedback on them. And FPS#3 (by Josin McQuein) hits it out of the park with voice. The first line:

Killing someone’s easier than you think.

It’s amazing how different that is from:

It’s easier than you think to kill someone.

Or

It’s easier to kill someone thank you think.

Okay, so maybe people in the publishing industry are the only ones who’d notice the difference, but each line seems to say something different about the speaker.

What do you think? What kind of person writes each of those?

Photo by Douglas Walker

U is for Ugh!

Everybody’s gotta start somewhere—and sometimes it’s fun to celebrate how hard you’ve come. Fellow crusaders Sierra Gardner and Clarissa Draper and I have concocted a sensationally bad beginning to a mystery, making as many newbie mistakes as possible. Sierra is soliciting comments on what we did wrong in the passage—but I’d like to hear how we could make it worse!

It was a dark and stormy night. The spiders were advancing up the drive, ready to attack. She couldn’t move, couldn’t breathe. One eight-legged creature began to crawl up her leg and shake its pincher’s at her face. No, she said in a silent scream. The spider continued to advance, closer and closer to her face. Just as the spider was about to bite into her neck, an alarm sounded. Sandra awoke with a start and lay in bed and listened to her alarm clock ring.

Her phone rang.

‘Hello?’

‘Hi, it’s me. How are you?’

‘Oh, I’m fine. What did you do today?’

‘I don’t want to talk about that right now, I want you to come over, it’s important, Sandra. I fear for my life and I have some important stuff to tell you.’

‘Okay, I will be there soon.’

As Sandra walked drearily up the sidewalk to the white picket fence colonial with blue shutters and budding daffodils in front, she noticed with surprise that the door hung slightly ajar. Immediately alarmed, Sandra crept forward, her legs stalking forward gracefully like a leopard moving stealthily toward it’s prey.

Whoever broke into the house wouldn’t know this, but Sandra had been teaching martial arts for years. Her father had insisted that no daughter of his would go out into this scary world unprepared to defend herself. Over the years her training had paid off, keeping her safe when her job as a police officer put her in harms way. Yes, Sandra was confident. She was more than a match for any drug crazed young punk who thought he could make a quick buck by nabbing her HD television and pawning it at the local dive down the street.

Sandra barels through the door with a flying high kick with her foot. A movement in the pitch-black dark startles her and she falls down. I jump to my feat and call out. Nobody answers, so I jump on the moving lump.

“Ouch! Sandra, it’s me your father!” “My father?” I slid to the floor. “What are you doing here from Baltimore?”

I couldn’t remember the last time I saw him except when he was trying to get me to test for my third dan for my blackbelt but I didnt want to because I was only fourteen and I hated how much martial arts was taking over my life. Even though now I’m pretty glad I did it because it did help a lot, but I didn’t know that then and dad didnt even try to listen to me. “Sandra, you’ll thank me one day,” he kept saying, but the instructor didn’t agree even after I’d broken his nose, though I didn’t mean to he just got in the way. I told him to be more careful even then I didn’t know my own strength so dad was lucky i didn’t hurt him worse even though he had fifty pounds on me.

“Dad, what happened to you? Is everything okay? Why are you on the floor in a lump?” Sandra said with worry ringing through her voice with clarion clearness.

“You missed him Sandra. He took everything, including….”

With a dramatic gasp her father took his final breath, his head falling backward and his tongue lolling out grotesquelly. Only then did Sandra see the pool of blood, the red life fluid seeping from his body onto the expensive italian tile.

It was tough to write this—but at the same time, it was nice to realize how far I’ve come (even though I have a ways to go yet!).

What do you think? How could this get even worse?

T is for thinking creatively

I’d come up with this idea a while ago and couldn’t quite figure out what I was going to write. But I did keep seeing awesome posts on creativity in writing coming up in my feed reader.

And then it clicked! One of the courses of DIY MFA 2.O is Craftivity: creativity in writing craft. So check out the posts so far for great ideas on tapping into different avenues for creativity!

S is for Show Not Tell Crusader Challenge

This entry is part 13 of 14 in the series Emotion: it's tough

It’s the last challenge of the Crusade! Here are the rules for the Show Not Tell Crusader Challenge.

And here’s my entry, flash fiction in an urban fantasy setting:

The footsteps echoed in the empty canyon of a city street—more than just my footsteps. I stopped short. The footsteps behind me stuttered to a stop, too. The hairs on the back of my neck stood at attention. The feeling of being watched was as palpable as the brick wall next to me. I caught hold of the rough bricks to steady myself as a current of ice shimmered down my spine.

Though I willed myself to stare at the sky blazing orange, not to give into the terror, I glanced back. It was hard to make out his features in the fading light, but his gaze clearly swung away from—and right back to—me in a sharp, saccadic shift. Tall and unnaturally gaunt, in a long black coat, he gave substance to the shadowy nightmares that had plagued me.

I licked my lips, the salt from my sweat a cruel joke to my empty stomach. The man stepped closer, his eyes still flicking back and away over and over. A sharp, acrid scent filled my senses, a mix of panic, sweat and decay.

I ran.

Hm. Wonder how it ends!

Photo by Kelly Teague