Once upon a time, I wrote a novel where the main character wasn’t likeable. Well, she was—I liked her. But the way I’d written her made her come off as disdainful and arrogant—not qualities I really meant for her personality to convey. So I read everything I could on sympathetic characters and tried very hard to fix her. (One critique partner was adamant that I had not, but no one else objected.)

What does it mean to have a “sympathetic” character? It means that the reader can relate to him/her. The reader feels the things s/he feels, and the reader understands the difficulties that character is going through. (It doesn’t always mean, however, that the reader likes the character, though that can be helpful.)

It often seems like sympathizing with main characters (who aren’t villains or anti-heroes, at least) is automatic—but anyone who’s ever written an unsympathetic character quickly learns that it’s not. Sometimes we writers think we’re doing something avant-garde by creating someone as alienated/sarcastic/cruel/apathetic/distant as a “real” person—but most of the time, we learn that this “cutting-edge” technique has been tried before. Without success.

I didn’t really think I was being avant-garde or even cool when I created my unsympathetic character—I accidentally focused too much on characteristics or behaviors that made my trying-to-keep-her-cool character all but condescending.

Months after all my research to fix her, all that information suddenly crystallized. There are only two things that make a character sympathetic: strength and struggles. The character must have both in some form.

So this month, we’re going to be talking about strength, struggles and sympathy for characters!

Photo credit—Michal Zacharzewski