Tag Archives: in medias res

February Thinky Links!

Over the month of January, I collected the stories I found on Twitter and in my feeds that were just too good to miss and put them together for you! Welcome to “Thinky Links“!

Author Janice Hardy offers some good advice on how to cut a scene without hurting your story

Kristen Lamb gives a really good example of how to start in medias res.

The Editors’ Blog looks at the use of coincidence in fiction, why it’s bad—and how to fix it.

I’ve been working hard on revising my Nano novel, so I’m really far behind on my feeds, but I did happen to see two good posts on EditTorrent recently, the kind that make me want to run around telling people “I’ve been vindicated” in an imaginary battle I was having with no one. The first covers showing versus telling in an interesting way (i.e. not writing 101), including that was is not always bad and is not the same thing as passive voice, and the role of telling in exposition.

The second is how to avoid that obnoxious “As you know, Bob” (or Alphonse) dialogue by slipping in backstory, characterization and other information through subtle cues. I LOVE working on this, and Alicia gives great examples!

Although I’m now with a traditional, regional publisher, I still find self-publishing very interesting. So for two different perspectives on that this month, Daniel J. Friedman takes a hard look at the numbers behind self publishing: what they make, what they’re worth, and what they’re selling. On the other hand, Joanna Penn interviewed Adam Croft on How To Sell 130,000 Books Without A Publisher. And for some perspective on both sides, Future Book looks at Why Amanda Hocking Switched, with some interesting notes on how her publishers are working for her.

And to close, here are a few of my favorite posts on this blog from Januaries past:

What’s the best writing/marketing/publishing advice you‘ve read lately?

Photo by Karola Riegler

J is for Jumping in

Here’s a complete shocker: J is one of my favorite letters 😉 . But I had a really hard time thinking of something for the letter J. I was going to do an acrostic—but I still couldn’t think of anything for J, and then I’d have to think up even more letters? Blech.

So instead, I’m jumping in. This works on two levels in writing. The first is that we need to jump into our stories. In medias res is the common phrase: in the middle of things. Don’t spend five or fifteen or fifty pages warming up, giving us your characters’ life stories, waiting for something to happen. Readers don’t like to be kept waiting!

But we have to balance between opening too early and too late. We don’t have to have the central conflict on page one, line one. We need to have some sort of conflict in the first section of the book, but sometimes the biggest conflict of the book takes some time to set up. I’ve been more guilty of starting too late: at a point where the conflict is obvious, but the reader doesn’t know the character well enough to sympathize, or at a point where the conflict itself takes a lot of explanation instead of playing out in front of us.

The other way we need to jump into our writing is to do it now. So many people wish they “had time” to write. But having time to write doesn’t mean you have hours of down time (I certainly don’t, with three kids five and under). It means making time by making choices—and making sacrifices. Time you spend writing is time you can’t spend watching TV, playing piano, painting, knitting, practicing the piano, with your children, sleeping, etc.

On the other hand, sometimes it’s not that we’re not ready and willing to make the sacrifice—we’re scared. Guess what: you don’t need a degree or a certificate to write. Heck, I know people who write without a basic grasp of grammar and punctuation. There are no requirements to be a writer: just pen and paper. (Or a laptop. Oh wait, are those requirements? Crap.)

What do you think? Do you jump in?

Photo credits: plunge—Konrad Mostert