Tag Archives: reader expectations

Would you profile your blog readers?

This entry is part 4 of 8 in the series Marketing: blogging

When we write, whether on our blogs or in our books, we are looking to connect with an audience. In fiction, generally we do this by working within a genre. On blogs, we do this working within a niche.

But could we do it more granularly? Of course—we could breakdown our target audience by more than just the niche of “reader” or “mystery reader” or “Regency romance lover.” We could look at demographic data—whether we get that from our Facebook page (yep, it’s in there) or Amazon data, we might be able to figure out a description of our readers that’s a lot more specific.

Livia Blackburne talked about profiling readers on her blog, sharing John Locke’s teaching on a profile of his readers. Following his example, Livia wrote out this profile, which is fairly extensive:

My target audience consists of young women, from high school through early 20s. They read to be transported to other worlds, and they actively seek sword and sorcery with female protagonists. They like to read about – for lack of a better term — girls kicking butt. My readers are attracted to strong, larger than life heroines, and they like reading about my main character Kyra because of the cool things she can do. They’d love to be Kyra for a day or two. My readers shy away from situations that are too cut and dry. They’re drawn to moral complexity, hard decisions, and inner conflict. They like a heroine with a dark side (no Pollyanna heroines please), but they still expect good to triumph in the end. My readers want fast-paced action and adventure, with high stakes and lots of plot twists. They don’t want to be bogged down with things like setting details and overly flowery prose.

Livia pulls this knowledge from beta reader feedback and her own knowledge of her story and genre. And then this reader profile can inform not only your current WIP, but future works—and your blog. As Livia explains:

Once you have your psychological profile, you can come up with themes that resonate with your target audience. In my case, it might be girls kicking butt, larger-than-life heroes, and tough moral decisions. And you’d would write a blog post that encapsulated these themes. The idea is that you write blog posts that resonate with your target audience, making them curious to read your book.

As with almost all things, this is easier said than done. Knowing what kind of blog post you’re looking for is definitely a great way to start and can help you generate ideas, but I worry the connection might be a little too abstract (though obviously well-known and well-selling self-publisher John Locke disagrees).

On the other hand, that can be a strength: harping on our books all the time is definitely a negative, while providing the same emotional experience as our books is a great way to set up a promise with our books. Locke calls this a “loyalty transfer.”

What do you think? Would you profile your readers? How would you translate your profile into blog posts?

Starting today, and throughout May, every comment is an entry to win a 15-page critique from me! Winner will be drawn at random from pool of commentators from April 30 to May 31, to be announced on the blog June 1. So come join in the conversation!

Photo (person in profile) by Sean Dreilinger

Fulfilling audience expectations on every page

As we’ve started to talk about marketing, we’ve mentioned how important your genre is. Your genre gives you a built-in audience—with built-in expectations of books in that genre. Those expectations will vary with the genre. In genres that have a fairly standard plot formula—romance (cute meet, conflict, HEA), mystery (crime, investigation, unmasking the criminal), etc.—that’s certainly part of the expectation, but in every genre there are even smaller expectations that we must fulfill to give our readers a good reading experience.

On the macro level, as we talked about in marketing,

we give readers an experience they want: excitement, fun, connection, contemplation, novelty, etc. That “emotional interest” that nonfiction creates is built in for fiction: it’s emotion itself.

Or as author/blogger/marketer Kristin Lamb wrote also last week:

Why do readers buy fiction?

One of the reasons readers are so loyal to authors is because of how that author’s stories made them feel. James Rollins makes me feel like I’ve had an exciting adventure. Sandra Brown makes me feel love is worth fighting for. Amy Tan makes me feel hope and power. J.K. Rowling’s stories make me feel heroic.

Fiction authors are brokers of passionate emotion.

While these emotional experiences are important on the story-level, we need to remember the experiences readers want on each page, or we run the risk of readers giving up on our books long before we can show them the story-level emotional experience.

Rewards Per Page

While we might not be able to fully capture heroism or adventure on a single page, or on every page, there are many, many other emotional experiences that “reward” readers on every page. Vince Mooney points out that a reader “is buying a ‘basket of feelings'” (though he narrows this to romance readers, I really feel it applies to all genres). Beyond the overall payoff of the plot, Vince says that every page should hold “rewards” for the reader—and after studying more than a thousand novels (hello, corpus literature!), he’s come up with 100 types of page-level rewards for readers.

Here are a couple of my favorites rewards he shared on Prairie Writer Chicks and Seekerville:

  • Give the reader new experiences, or interesting little factoids
  • Anticipatory Events (AEs): create situations in which the reader looks forward to finding the resolution. (And paying them off, especially quickly.)
  • Sparkle—beautiful, fresh writing
  • Humor


Vince also suggests looking at your own manuscript to find how many rewards you’re giving to your reader per page.

While the ones he lists on those blogs are fairly universal, there are going to be many rewards that vary by genre. Just as the emotional experiences readers are looking for depends on the genre, the payoffs and rewards do, too.

For example, in a romance, a romantic gesture, especially one tailored to these characters and this situation, rewards not just the characters but the readers, too. (EX: after a fight, he sends her favorite flowers, rhododendron—or better yet, mindful of her flower and food allergies, he sends a GFCFSF cookie basket.)

In a mystery, on the other hand, finding a clue is a type of reward. It can be even better if it’s a clue only a very attentive reader would notice—if the main character is distracted or has a very good explanation for it (making your characters look dumb to make a reader feel smart is not a reward—it’s actually frustrating for the reader). This might be considered a variety of an anticipated event.

And as with all other genre expectations, the best way to figure out the rewards that are most applicable to your genre is to read widely within your genre.

What do you think? What kind of rewards do you see in your genre?

Photo credits: I <3 Mr. Darcy by Jamelah E.; rhododendron by D. Mott