Getting the most out of writers conferences

I’m at a writers conference today, so I’ve pulled out a great guest post from the archives, which originally appeared as part of the writing resources series.

by Samantha Clark

I love going to writing conferences. There’s something so inspiring about sitting in a large of group of people who all share your same passion. No matter whether it’s a big conference or small, both have their advantages.

My first writing conference was a biggie. Back in 2007, I was living in Los Angeles and attended the big summer conference for the Society of Children’s Book Writers and Illustrators there. Three days of information, inspiration, fun, jokes, motivation and creativity. I sat in the big and small gatherings and soaked up everything I could, every word from the speakers as well as the every ounce of excitement in the air. By the end of the conference, I was hooked. It was like drinking a giant Slurpee cup of creativity, and I wanted more.

Since then, I’ve moved away from Los Angeles, but my love of conferences has continued. In my current home near Houston, I’ve found wonderful single-day conferences that give me just as much as that big summer conference, with the added benefit of a more intimate setting. At these smaller conferences, there’s much easier access to the speakers. Generally, at the summer conference, the attendance is so huge, the speakers are swarmed after every appearance. But smaller events are much more relaxed. Our annual Houston SCBWI conference holds a dinner where attendees can chat with the invited speakers over fajitas. What better way is there to get to know someone?

From conferences, you obviously get access to the information the speakers provide, which could be anything from an editor telling you what they’re looking for to an agent giving query letter writing tips. But there are lots of other benefits:

  • Friends. Writing is solitary, and conferences give us an opportunity to get together with other people like us.
  • Writing help. As well as the writing tips speakers often give, conferences usually offer critiques with professionals, including agents, editors and published authors. These usually require additional payment, but they can be worth.
  • Contacts. Conferences are a chance to meet agents and editors you might work with later. Writers have made connections with editors at conferences and later sold them a book or been asked to write on assignment.
  • Inspiration. Every writer has bouts of doubt and times when our creativity pool dries up. Going to conferences is like getting a shot of inspiration in the arm. This is a business of passionate people, and that passion brims over to attendees at conferences. Without fail, even if I haven’t heard anything new at a conference (which is rare), I’ve always left feeling energized, and that was worth the price of entry.

How do you prepare for a conference?

  1. First, research the conferences in your area. The SCBWI website has a list of the group’s events, but you can find others with an Internet search. Research the speakers and make sure they’re people you’d like to hear. There’s no point going to a conference focusing only on picture books if you write novels.
  2. Once you know which conferences you want to attend – and can afford – register early. If you plan to get a critique, registering early means you’re more likely to get the person you want. Also, many smaller conferences sell out, so registering early secures your space.
  3. A few days before the conference, research the speakers again. The conference will have their basic bio, but look around on the Internet for interviews and read their blog, if they have one. Jot down some notes in the notebook you’re planning to take. This way, when you see them speak, you’ll have a better idea of who they are.
  4. If there are any speakers you would like to talk to, perhaps to ask a question or just compliment them on one of the books they’ve worked on that you’ve read, seek out this person in a nice, polite way (i.e. not in the bathroom, not while they’re eating unless you happen to be sitting at their table, and not interrupting their conversation). If they’re talking to another attendee, stand by and wait your turn. Once you have their attention, introduce yourself, tell them what you love about their work, ask them your question, then thank them and say goodbye. Keep it short, sweet and professional. In my experience, speakers are more than happy to talk to attendees as long as it’s on a professional level.

Going to conferences can be a very rewarding way to boost your writing life. Take advantage of the conferences offered in your area, and when you get home, your brain will be begging you to start writing.

About the author
Samantha Clark writes middle-grade fiction and blogs about writing, children’s books and writing conferences at DayByDayWriter.wordpress.com. You can subscribe to DayByDayWriter to read more.

Photo credits: SCBWI conference—Rita Crayon Huang; click—Jordan McCollum

Beating Writers’ Block

This post originally appeared as a guest post on Carol Garvin’s blog, Careann’s Musings. I realized I never shared it here!

The kids are in bed, the house is clean, you’ve spent some quality time with your spouse and you’ve watched your favorite show. Now it’s your time—time to write with nothing hanging over your head. You sit at your computer, fingers poised over the keys and—

Nothing happens.

What do you do? Spend the next two hours checking email and blogs, playing Text Twist and Minesweeper, coming back to your story every half hour without anything new to add and drifting away again until you can’t face your computer anymore and go to bed, strangely empty and guilty?

No! You don’t have to succumb to writers’ block—you can fight it, and you should. What makes a writer vs. a wannabe is perseverance (and the same is true about revisions, finding an agent, getting published, selling books, etc., etc.). Working through writers’ block makes you a stronger, better, more creative writer. And here are eight ways to do it.

Come up with more ideas
Easier said than done, I know, but try brainstorming new events and directions for your story. I recently came across an analysis of the story conference for Raiders of the Lost Ark. The surprising thing about this conference is the sheer volume of ideas—the writer, director and producer threw out ideas while brainstorming, not worrying about how outlandish or stupid they might sound—you never know if it could be made workable.

Recycle an old idea
Did you have an amazing plot twist you never got to use or used in another (preferably unpublished) work, or one you love in someone else’s story? Find a way to work that idea into this story. The mine cart chase scene in Indiana Jones and the Temple of Doom originally came from the conference for Raiders, but they didn’t use it there—an instant source for later ideas.

Look for more connections within your work
I got stuck in one WIP when I needed a task for my hero. He’d agreed to do something for the villain in exchange for a hostage, but I was drawing a blank as to what that should be. I tried to think of something the villain could send him after—but finally the right answer came to me. It shouldn’t just be something, it should be something related to the plot. And I had a subplot that could tie back into the main plot (and a minimystery that could be solved) right here.

Write something
You may have to take some time away from your WIP to get the creative juices flowing. You can work on another idea—writing or plotting or planning—or you can find writing prompts to get started. Sometimes focusing on another story idea will give you the boost or idea you need to progress in your first story—just don’t get sidetracked for too long!

Write nothing
Do something mindless—like playing Text Twist or Minesweeper, or doing house or yard work. Do something creative—if you play an instrument, practice. If you do a handicraft—knitting, needlework, woodcarving, knapping—make something. Occupying your hands while letting your mind roam can have great creative rewards.

Erase
As hard as this may be, maybe you’ve written yourself into a corner. Maybe there just isn’t anywhere for the story to go now, and you need to delete the last paragraph or scene or chapter. (Ouch!) Look at where your story took a turn for a dead end and brainstorm another direction.

Read (or watch)
Look for other ideas (and beautiful writing) in other works, in or outside of your genre. You can also watch a movie or TV show and play the “what if” game—what if something happened differently in this scene. (I came up with a whole story idea this way.)

Plot
You can often avoid getting stuck if you plan out where you’re going in advance. Not always, of course—I’m a plotter, and I can still get stuck in the gray areas of my outline. But back before I started plotting out my stories, I began with an ending in mind, but sometimes I spent weeks stopped in the middle, trying to figure out how to get there. Even loose plotting can help to keep the big milestones in mind to keep you moving toward your goals. Plus you can brainstorm in advance and save all those ideas for any lulls.

Beating writers’ block can be tough, but you can do it—and if you’re going to finish, you have to.

What do you think? How do you beat writers’ block?

Photo credits: paper ball—makedonche19; blank page—Chris Blakeley;
I can’t think—Alyssa L. Miller

Would you profile your blog readers?

This entry is part 4 of 8 in the series Marketing: blogging

When we write, whether on our blogs or in our books, we are looking to connect with an audience. In fiction, generally we do this by working within a genre. On blogs, we do this working within a niche.

But could we do it more granularly? Of course—we could breakdown our target audience by more than just the niche of “reader” or “mystery reader” or “Regency romance lover.” We could look at demographic data—whether we get that from our Facebook page (yep, it’s in there) or Amazon data, we might be able to figure out a description of our readers that’s a lot more specific.

Livia Blackburne talked about profiling readers on her blog, sharing John Locke’s teaching on a profile of his readers. Following his example, Livia wrote out this profile, which is fairly extensive:

My target audience consists of young women, from high school through early 20s. They read to be transported to other worlds, and they actively seek sword and sorcery with female protagonists. They like to read about – for lack of a better term — girls kicking butt. My readers are attracted to strong, larger than life heroines, and they like reading about my main character Kyra because of the cool things she can do. They’d love to be Kyra for a day or two. My readers shy away from situations that are too cut and dry. They’re drawn to moral complexity, hard decisions, and inner conflict. They like a heroine with a dark side (no Pollyanna heroines please), but they still expect good to triumph in the end. My readers want fast-paced action and adventure, with high stakes and lots of plot twists. They don’t want to be bogged down with things like setting details and overly flowery prose.

Livia pulls this knowledge from beta reader feedback and her own knowledge of her story and genre. And then this reader profile can inform not only your current WIP, but future works—and your blog. As Livia explains:

Once you have your psychological profile, you can come up with themes that resonate with your target audience. In my case, it might be girls kicking butt, larger-than-life heroes, and tough moral decisions. And you’d would write a blog post that encapsulated these themes. The idea is that you write blog posts that resonate with your target audience, making them curious to read your book.

As with almost all things, this is easier said than done. Knowing what kind of blog post you’re looking for is definitely a great way to start and can help you generate ideas, but I worry the connection might be a little too abstract (though obviously well-known and well-selling self-publisher John Locke disagrees).

On the other hand, that can be a strength: harping on our books all the time is definitely a negative, while providing the same emotional experience as our books is a great way to set up a promise with our books. Locke calls this a “loyalty transfer.”

What do you think? Would you profile your readers? How would you translate your profile into blog posts?

Starting today, and throughout May, every comment is an entry to win a 15-page critique from me! Winner will be drawn at random from pool of commentators from April 30 to May 31, to be announced on the blog June 1. So come join in the conversation!

Photo (person in profile) by Sean Dreilinger

Book review: Blowing My Cover by Lindsey Moran

Okay, before I jump into this book review, I have to tell you why I read it: shockingly (um, not) my latest book is about a spy. I’ve actually written about spies a few times, but this is the first time I’ve used a contemporary CIA officer (not agent!) in one of my novels. Naturally, I had to run out and research.

As I was looking through books on the subject on Amazon, I came across Blowing My Cover: My Life as a CIA Spy by Lindsay Moran, which was touted as “a cross between James Bond and Bridget Jones!” That pretty much sounded like what I was working on, and the back cover copy promised to answer several specific questions I had in the research process. (It didn’t answer the underlying question, however: why did you leave all your research until after you wrote it??)

Best of all? My truly, truly awesome library had a copy. I snuck out and checked it out that night, and read it the next day.
Continue reading Book review: Blowing My Cover by Lindsey Moran

How to write the stuff around the dialogue

Flip open any book, and you’re sure to find them: dialogue attribution using verbs other than “said.” Breathed, whispered, inveighed, called, shouted, yelled, extrapolated, interdicted, translated, interpreted—there are literally hundreds of verbs for speech.

But despite that, “said” is still the default dialogue tag. Yes, every book on the market contains speech verbs other than said—but that’s a big reason why “said” is the default dialogue tag: because other tags are so noticeable. “Said” is practically invisible; we read it without really noticing it, while other dialogue tags call attention to themselves.
Continue reading How to write the stuff around the dialogue

Who are you blogging for? Connecting with your blog community

This entry is part 3 of 8 in the series Marketing: blogging

Just like in writing, in blogging, you need to know your audience. In writing, sometimes it’s enough to know the reader expectations within your genre. In blogging, sometimes it can be enough to know your niche.

Last week, we talked about finding that blog niche, whether you center your blog around writing, your research interests, or your hilarious life. But no matter what your topic is, it’s really important to keep in mind who you expect to read your blog.
Continue reading Who are you blogging for? Connecting with your blog community

Choosing the right POV character

Each book, each character and even each scene requires you to make choices about what POV to use. If you have more than one POV character in a scene—as you will in many of your most pivotal scenes—you have to decide which character should control the scene, or whose eyes your reader gets the scene through. The way you use the POV in a scene and in a whole book affects the way your characters and your story are perceived. It’s important to get it right!

Today we’ll look at one aspect of POV: choosing the right POV character.

Choosing POV Characters

Sometimes it’s very easy to pick who to use as the viewpoint character—they’re our only viewpoint character in the scene. But quite often, we’ll have more than one viewpoint character in a scene and we’ll have to choose between them. Whose scene is this?
Continue reading Choosing the right POV character

So, seriously: should writers blog?

This entry is part 2 of 8 in the series Marketing: blogging

If you’ve been hanging around the blogosphere for a while, you’ve probably heard arguments from every side about whether writers should blog. Yes! No! Maybe!

From the Yes! camp, we hear that writers who are seeking publication should be getting their name out there through a blog. Also, a blog is a great way to connect with future readers and other writers, possibly refine your voice, write every day and build your platform. And look! It doubles as a soap box!

From the No! crowd, the arguments are more diverse. Maybe you don’t have time to write and blog, or maybe your blog voice interferes with your fiction voice.

From the Maybe! crew, the stipulations usually relate to your blog topic: you should blog about X or Y, but never about writing, politics, religion, your family, the color yellow, peanut butter . . .
Continue reading So, seriously: should writers blog?